Wednesday, 9 February 2011

Glossary, James' Part

I've finished my section of the glossary page, my part to follow:

Filters
Filters in cinematography can relate to two different things: a camera filter or a light filter (also known as gel.) Camera filters are transparent or translucent optical elements that alter the properties of light entering the camera lens for the purpose of improving the image being recorded. They can also create a variety of "special effects. A light filter, or light gel, is a coloured material that changes the colour properties of a light when light passes through it. This can create a variety of effects in a scene, used a lot in horror films.

Film Stock
Film stock is photographic film on which motion pictures are shot and reproduced.

Plot
The pattern of events or main story in a narrative or drama.

Sequential Episodes
Sequential episodes are episodes that continue on from each other. The story doesn’t rap up until the final episode.

Story Arcs
Story arcs are a continuing storyline in a television series that gradually unfolds over several episodes. This can also apply to sequels in film.

Season
A season is usually a 22 or 12 episode program where the story starts and finishes within the episodes. Some TV Series like Heroes and Lost had many seasons and each season had a different storyline.

Broadcast
Broadcast is when a program is transmitted (a radio or television program) for public or general use.

Sub Genres
Subgenres are a subcategory within a particular genre, for example a comedy with a bit of sci-fi or horror.

Scripted Entertainment
Scripted entertainments are shows that are scripted and will appear as they are on the script without a doubt. Shows like Eastenders, Lost, The News are all scripted entertainment.

Non Scripted Entertainment
Non-scripted entertainment is where shows aren’t scripted. Shows like Have I Got News For You, Question Of Sport, Mock The Week are all examples of non-scripted entertainment.

Box Office
A booth where tickets are sold. When films are released the total of tickets purchased at box offices are kept track of and will eventually link to a film’s success or unsuccessfulness.

Mode Of Address
Modes of address can be defined as the ways in which relations between addresser and addressee are constructed in a text. In order to communicate, a producer of any text must make some assumptions about an intended audience; reflections of such assumptions may be discerned in the text (advertisements offer particularly clear examples of this).

Blogged by: James Love

Here is the list of words I had to add to find a definition of to add to the handbook. Each group member had a list of words to complete. If there are any changes that need to be made by other group members, we will spend some time tomorrow going through and editing any parts we feel necessary.
Glossary words

Single camera:
The single-camera mode (single camera set-up) is a popular technique used when shooting films and television programs. It is used on set and is employed by each shot in a scene being taken individually. By using one camera not only does it cut costs and crew, but it also gives the director more control when taking shots, meaning you have a well thought out scene.
 Production:
A television or film production is the actual process of making the programme or film, from an initial story idea or commission, through to scriptwriting, shooting, editing, directing and then final distribution to an audience. Productions take place all over the world, using a variety of techniques, actors, crew and equipment.
Shot:
A shot in television and film is a term used within the industry that is made up of a series of frames, used in motion picture. It runs for an uninterrupted period of time and can be defined by different shot types. For example a wide shot, two shot, close up etc. The term originated from the days when cameras were hand cranked, and were operated similar to the hand cranked machine guns of that era, therefore a film was "shot" similar to how you would shoot a gun.
Mise-en-scene:
Mise-en-scene is a French term that describes the design aspects of film production, which essentially means the "visual theme" or the art of telling a story. This is done in a visual sense through storyboarding, cinematography and stage design and then carried through by direction.  In cinema, Mise-en-scene is taken very seriously as it is literally everything that appears before the camera and the way in which it is arranged. The director uses mise-en-scene to tell their story, through composition, sets, props, costumes, and lighting. It is also considered in the positioning and movement of the actors on the set. In the industry we call this “blocking”.
Multi camera:
The multi-camera set up is another method of shooting television and film. It relies on using more than one camera on set or in the studio, to capture several shots at any one time. Particularly popular with live television, it is a mode that is more expensive than single camera, but also has many advantages including the obvious attraction of less continuity errors.
Producers:
The primary role of a television producer is to control all aspects of production, ranging from show idea development to cast hiring and on-set supervision. The producer is often the one responsible for the show's overall quality and suitability, though the role does vary depending on particular shows or organisations. They can also take on other roles including conceiving new programs and pitching them to networks, as well as focusing more executive matters, such as budgets and contracts. The roles for film producers are very similar in that they control all the money, contracts and pitching as well as taking active roles within the film making process.
Directors:
A film and television director also has very similar roles within their production. They are the people who direct the actors and crew in the making of a film or programme. In film they control the artistic and dramatic aspects, while guiding the technical crew and actors and in television they also direct the actors and technical crew in achieving the scenes within a programme. They work very closely alongside the producers to ensure they are attaining exactly what they need.
Budget:
Budget is one of the most important aspects when planning a film or TV production as it is the main source of your production’s progress and success. The budget of your film is all the money you will spend throughout the production, from pre to post. When planning a film or TV production you have to consider all elements into the budget, including actors, crew, equipment, locations etc.
Equipment:
Equipment in TV and film is vital, without it you couldn’t actually create a piece of film. Critical equipment lists will include; cameras, lighting, rigs, tripods, grips, sound kits and dolly and tracks.
Crew:
A film crew is a group of people hired by a production company for the purpose of producing a film or motion picture. Similar to this is crew for television productions as they fall under similar roles to a film crew including a director, producer, camera man, sound assistant etc.
Scene:
A scene is thought of as the action in a single location and continuous time. Every time a location or time frame changes, so does the scene. This is inclusive for both television and film. Narrative structure:
A narrative structure in both television films is classed as the framework of a story. Generally, the narrative structure can be divided into three sections, which is known as the three-act structure: setup, conflict and resolution. There are many theories on narrative structure that are important to the way in which we see our films today, two theories we explore today were introduced by structuralist literary theorists Todorov and Propp.

Created and Reseached by: Hannah Shute

Final Stages of Production 9/02/11

Progress Review:

We are now at the final stages of putting the handbook together. We have spent the last week finalising each section of the handbook and creating the actual product into Adobe InDesign CS3. James has been very busy designing a layout for the handbook as well as beginning to attach all of the files into it. 

Hannah and James have taken an editing role and have both sat down with a printed draft of the handbook and highlighted any final changes that needs to be made. They also chose the order in which each section should fall in the handbook and made layout changes to the handbook to make it look more professional. They then sat and read through each page choosing all the words that need to be included within the handbook's glossary. We decided as a group to split the definitions between us to make the process quicker and each section of the glossary was completed today.


Marley has been continuing with his sections which were completed on Monday. We now have to add the final touches to the layout of the handbook, including some final presentation ideas and pictures. 
We hope to have this all completed by Thursday for a final review and have the completed handbook ready for the extended deadline of Friday 11th Febuary 2011.

Blogged by Hannah